looka, <lʊ´-kə> dialect, v.
1. The imperative form of the verb "to look"; in the spoken vernacular of New Orleans, it is usually employed when the speaker wishes to call one's attention to something.
2. --n. Chuck Taggart's weblog, hand-made and updated (almost) daily, focusing on food and drink, cocktails as cuisine, music (especially of the roots variety), New Orleans and Louisiana culture, news of the reality-based community ... and occasionally movies, books, sf, public radio, media and culture, travel, Macs, liberal and progressive politics, humor and amusements, reviews, complaints, the author's life and opinions, witty and/or smart-arsed comments and whatever else tickles the author's fancy.
Please feel free to contribute a link if you think I'll find it interesting. If you don't want to read my opinions, feel free to go elsewhere.Page last tweaked @ 12:47pm PDT, 8/19/2008
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If you like, you are welcome to send e-mail to the author. Your comments on each post are also welcome; however, right-wing trolls are about as welcome as a boil on my arse. Search this site:
Barack Obama for President
"Doctors, Professors, Kings and Queens: The Big Ol' Box of New Orleans" is a 4-CD box set celebrating the joy and diversity of the New Orleans music scene, from R&B to jazz to funk to Latin to blues to zydeco to klezmer (!) and more, including a full-size, 80-page book. Buy my New Orleans music box set!
Produced, compiled and annotated by Chuck Taggart (hey, that's me!), liner notes by Mary Herczog (author of Frommer's New Orleans) and myself. Now for sale at your favorite independent record stores (such as the Louisiana Music Factory, because you should be supporting local New Orleans retailers) or via Amazon if you insist.
The box set was the subject of a 15-minute profile on National Public Radio's "Weekend Edition" on Feb. 6, 2005, and a segment on Wisconsin Public Radio's "To The Best of Our Knowledge" on Apr. 3, 2005. Here are some nice blurbs from the reviews (a tad immodest, I know; I'm not generally one to toot my own horn, but let's face it, I wanna sell some records here.)
* * * "More successfully than any previous compilation, Doctors... captures the sprawling eclecticism, freewheeling fun and constant interplay of tradition and innovation that is at the heart of Crescent City music." -- Keith Spera, New Orleans Times-Picayune.
"... if you DO know someone who's unfortunate enough to have never heard these cuts, press this monumentally adventurous box and its attendant booklet upon them. It's never too late to learn" -- Robert Fontenot, OffBeat magazine, New Orleans
"... the best collection yet of Louisiana music." -- Scott Jordan, The Independent, Lafayette, Louisiana.
"[T]he year's single most awesome package" -- Buddy Blue, San Diego Union-Tribune
"This four-CD box set doesn't miss a Crescent City beat ... For anyone who has enjoyed the New Orleans Jazz & Heritage Festival, this is Jazz Fest in a box. ***1/2" -- Dave Hoekstra, Chicago Sun-Times
"... excellently compiled, wonderfully annotated ... New Orleans fans will know much of this by heart, though they may not remember it sounding so good; those who don't know what it's like to miss New Orleans will quickly understand." -- Terry Lawson, Detroit Free Press.
"... a perfect storm when it comes to reissues. This box set is musically exciting, a complete representation of its subject matter, and just plain fun to listen." -- Charlie B. Dahan, AllAboutJazz.com
"... one of the best impressions of a city's musical blueprint that you're likely to ever find." -- Zeth Lundy, PopMatters.com
"... an unacademic, uncategorized album that suits the city's time-warped party spirit." -- Jon Pareles, The New York Times
How to donate to this site: Your donations help keep this site going. PayPal's the best way -- just click the button below, and thanks!
You can also donate via the Amazon.com Honor System, if you wish (but they deduct a larger fee from your donation and I keep less).
(Also, here's a shameless link to my Amazon Wish List.)
Buy stuff! You can get Gumbo Pages designs on T-shirts, mugs and mousepads at The Gumbo Pages Swag Shop!
Looka! Archive
(99 and 44/100% link rot)August 2008
July 2008
June 2008
May 2008
April 2008
March 2008
February 2008
January 2008
2007: Jan, Feb, Mar, Apr, May, Jun, Jul, Aug, Sep, Oct, Nov, Dec.
2006: Jan, Feb, Mar, Apr, May, Jun, Jul, Aug, Sep, Oct, Nov, Dec.
2005: Jan, Feb, Mar, Apr, May, Jun, Jul, Aug, Sep, Oct, Nov, Dec.
2004: Jan, Feb, Mar, Apr, May, Jun, Jul, Aug, Sep, Oct, Nov, Dec.
2003: Jan, Feb, Mar, Apr, May, Jun, Jul, Aug, Sep, Oct, Nov, Dec.
2002: Jan, Feb, Mar, Apr, May, Jun, Jul, Aug, Sep, Oct, Nov, Dec.
2001: Jan, Feb, Mar, Apr, May, Jun, Jul, Aug, Sep, Oct, Nov, Dec.
2000: Jan, Feb, Mar, Apr, May, Jun, Jul, Aug, Sep, Oct, Nov, Dec.
1999: Jul, Aug, Sep, Oct, Nov, Dec.
My Photos on Flickr
www.flickr.com
My Darlin' New Orleans...
Shop New Orleans! Visit the stores linked here to do your virtual online shopping in New Orleans. The city needs your money!
Greater N.O. Community Data Center
New Orleans Wiki
Media:
Gambit Weekly
NOLA.com & The Times-Picayune
OffBeat
Scat Magazine
WDSU-TV (Channel 6, NBC)
WGNO-TV (Channel 26, ABC)
WNOL-TV (Channel 38, WB)
WTUL-FM (91.5, Progressive radio)
WVUE-TV (Channel 8, FOX)
WWL-TV (Channel 4, CBS)
WWNO-FM (89.9, classical, jazz, NPR)
WWOZ-FM (90.7, Best Radio Station in the Universe)
WYES-TV (Channel 12, PBS)
New Orleans ...
proud to blog it home.
2 Millionth Weblog
A Frolic of My Own
Ashley Morris (in memoriam)
Blogging New Orleans
Dispatches from Tanganyika
Home of the Groove
Humid City
Library Chronicles
Mellytawn Dreams
Metroblogging N.O.
People Get Ready
Da Po'Blog
Suspect Device Blog
The Third Battle of New Orleans
World Class New Orleans
The Yat Pundit
Your Right Hand ThiefCocktail hour. "We are still heartily of the opinion that decent libation supports as many million lives as it threatens; donates pleasure and sparkle to more lives than it shadows; inspires more brilliance in the world of art, music, letters, and common ordinary intelligent conversation, than it dims." -- Charles H. Baker, Jr.
CocktailDB
The Internet's most comprehensive
and indispensible database of
authenticated cocktail recipes,
ingredients, reseearch and more.
By Martin Doudoroff & Ted Haigh)
Museum of the American Cocktail
Founded by Dale DeGroff and many
other passionate spirits in Jan. 2005.
Celebrating a true American cultural
icon: the American Cocktail.
(Their weblog.)
The Sazerac Cocktail
* * *
(The sine qua non of cocktails,
and the quintessential New Orleans
cocktail. Learn to make it.)
The Footloose Cocktail
(An original by Wes;
"Wonderful!" - Gary Regan.
"Very elegant, supremely
sophisticated" - Daniel Reichert.)
The Hoskins Cocktail
(An original by Chuck;
"It's nothing short of a
masterpiece." - Gary Regan)
* * * Chuck & Wes' Liquor Cabinet
(Frighteningly large, and would
never fit in a cabinet)
Chuck & Wes' Cocktail Book Collection
(Constantly growing)
Chuck & Wes' Cocktail Menu
(A few things we like to
drink at home, plus a couple
we don't, just for fun.)
* * * Peychaud's Bitters
(Indispensible for Sazeracs
and many other cocktails.
Order them here.)
Angostura Bitters
(The gold standard of bitters,
fortunately available everywhere
worldwide. Insist on it.)
Regans' Orange Bitters No. 6
(Complex and spicy orange
bitters for your Martinis,
Old Fashioneds and many more.
Order them here.)
Fee Brothers' Bitters
(Classic orange bitters,
peach bitters and a cinnamony
"Old Fashion" aromatic bitters,
plus new lemon & grapefruit bitters!)
The Bitter Truth
(A new brand of bitters
from Germany: orange, lemon,
aromatic bitters and more!)
Bittermens Bitters
(Fantastic new small-batch
bitters company with forth-
coming products including
Xocolatl Mole Bitters,
grapefruit, "tiki" spice,
and sweet chocolate bitters, wow!)
* * * Alcademics
(The study of booze with Camper English)
Ardent Spirits
(Gary & Mardee Regan)
The Art of Drink:
An exploration of Spirits & Mixology.
(Darcy O'Neil)
Bar Mix Master
(Brad Ellis, New Orleans)
Beachbum Berry:
(Jeff Berry, world-class expert
on tropical drinks)
Bunnyhugs
(Seamus Harris, N.Z. & China)
The Cocktail Chronicles
(Paul Clarke's weblog)
Cocktailians.com
(Group drinks blog by Vidiot,
Mr. Bali Hai, Kosmonaut,
Chico and me).
Cocktail Nerd
(Gabriel Szaszko)
A Dash of Bitters
(Michael Dietsch)
Drink A Week
(Alex and Ed)
DrinkBoston.com
(Lauren Clark)
DrinkBoy and the
Community for the
Cultured Cocktail
(Robert Hess, et al.)
DrinkBoy's Cocktail Weblog
Drink Trader
(Online magazine for the
drink trade)
Esquire's Drinks Database
(Dave Wondrich and
his forbears)
Happy Hours
(Beverage industry
news & insider info)
Imbibe Magazine
(Celebrating the world in a glass)
Jeff Morgenthaler
(Bartender/mixologist, Eugene OR)
Jimmy's Cocktail Hour
(Jimmy Patrick)
Kaiser Penguin
(Rick Stutz, bringing us cocktails
and great photographs)
King Cocktail
(Dale DeGroff)
La Fée Verte
(All about absinthe
from Kallisti et al.)
LUPEC.org
(Ladies United for the
Preservation of
Endangered Cocktails)
Fine Spirits & Cocktails
(eGullet's forum)
The Ministry of Rum
(Everything you always wanted to know)
The Modern Mixologist
(Tony Abou-Ganim)
Mr. Lucky's Cocktails
(Sando, LaDove,
Swanky et al.)
Mr. Mixer
(Hundreds of cocktail recipes ...
in Hungarian. Well, why not?
Sajnos, nem beszélek magyarul.)
Nat Decants
(Natalie MacLean)
Off the Presses
(Robert Simonson)
Oh, Gosh!
(Jay Hepburn, London)
Rowley's Whiskey Forge
(Matt Rowley)
RumDood.com
(Matt Robold, The Rum Dood)
Save the Drinkers
(Kevin Kelpe, Boise, Idaho!)
Sloshed!
(Marleigh)
Spirit Journal
(F. Paul Pacult)
Spirits and Cocktails
(Jamie Boudreau)
Spirits Review
(Chris Carlsson)
Tastings.com
(Beverage Tasting
Institute journal)
Trader Tiki's Booze Blog
(Blair Reynolds)
Vintage Cocktails
(Daniel Reichert)
The Wormwood Society
(Dedicated to promoting accurate,
current information about absinthe)
Let's eat! New Orleans:
Appetites
Culinary Concierge (N.O. food & wine magazine)
Mr. Lake's Non-Pompous New Orleans Food Forum
The New Orleans Menu
Notes from a New Orleans Foodie
Food-related weblogs:
Bacontarian
Chocolate and Zucchini
Honest Cuisine
Il Forno
KIPlog's FOODblog
MeatHenge
Mise en Place
Sauté Wednesday
Simmer Stock
Tastespotting
Tasting Menu
Waiter Rant
More food!
à la carte
Chef Talk Café
Chowhound (L.A.)
eGullet
Epicurious
Food Network
The Global Gourmet
The Hungry Passport site and weblog)
A Muse for Cooks
The Online Chef
Practically Edible
Pasta, Risotto & You
Slow Food Int'l. Movement
Southern Food & Beverages Museum
Southern Foodways Alliance
So. Calif. Farmer's Markets
Zagat Guide
&c.
In vino veritas. The Oxford Companion to Wine
Wine Enthsiast
The Wine Spectator
Wine Today
Wines.com
Zinfandel Advocates & Producers
Wine/spirits shops in our 'hood:
Colorado Wine Co., Eagle Rock
Mission Liquors, Pasadena
Silverlake Wine, Silverlake
Chronicle Wine Cellar, Pasadena
Other wine/spirits shops we visit:
Beverage Warehouse, Mar Vista
Wally's Wine & Spirits, Westwood
The Wine House, West L.A.
Reading this month:Lisey's Story, by Stephen King.
The Ghost Brigades, by John Scalzi.
In Defense of Food, by Michael Pollan.
Listen to music! Chuck's current album recommendations
Altan
BeauSoleil
Beck
Luka Bloom
La Bottine Souriante
Billy Bragg
Cordelia's Dad
Jay Farrar
The Frames
Kíla
Sonny Landreth
Los Lobos
Christy Moore
Nickel Creek
OK Go
The Old 97s
Anders Osborne
Planxty
The Proclaimers
Professor Longhair
Red Meat
The Red Stick Ramblers
The Reivers
Zachary Richard
Paul Sanchez
Marc Savoy
Son Volt
Richard Thompson
Toasted Heretic
Uncle Tupelo
Wilco
Tom Morgan's Jazz Roots
Miles of Music
New Orleans Bands.net
New Orleans Jazz & Heritage Festival
No Depression
RootsWorld
Appalachian String Band Music Festival - Clifftop, WV
Long Beach Bayou Festival
Strawberry Music Festival - Yosemite, CA
Talking furniture: WWOZ (New Orleans)
Broadcast schedule
Live audio stream
KCSN (Los Angeles)
Broadcast schedule
Stream the last "Down Home"
for 1 week after broadcastk
Live MP3 audio stream
Bob Walker's New Orleans Radio Shrine
(A rich history of N.O. radio)
PublicRadioFan.com
(Comprehensive listings)
Air America Radio
(Talk radio for the
rest of us)
Folkscene
Joe Frank
Grateful Dead Radio
(Streaming complete
shows!)
KPIG, 107 Oink 5
(Freedom, CA)
KRVS Radio Acadie
(Lafayette, LA)
LouisianaRadio.com
Mike Hodel's "Hour 25"
(Science fiction radio)
Raidió Idirlíon
(Irish language & music)
Raidió na Gaeltachta
(Irish language)
RootsWorld's Rootsradio
RTÉ Radio Ceolnet
(Irish trad. music)
WXDU (Durham, NC)
Films seen this year:
(with ratings):In the cinema:
Sweeney Todd, The Demon Barber of Fleet Street (****-1/2)
Atonement (****)
No Country for Old Men (****)
Juno (***-1/2)
On DVD:
Dominion: Prequel to The Exorcist (***)
Eastern Promises (***-1/2)
Omagh (***-1/2)
Transformers (**-1/2)
Pirates of the Caribbean: At World's End (**-1/2)
Across the Universe (***-1/2)
Sicko (****)
Michael Clayton (****)
The Assassination of Jesse James by the Coward Robert Ford (****-1/2)
Lookin' at da TV: "Lost"
"Battlestar Galactica"
"ER"
"Smallville"
"One Tree Hill"
"Queer Eye for the Straight Guy"
"The Simpsons"
"Top Chef"
"Father Ted"
Photography: A Gallery for Fine Photography, New Orleans (Joshua Mann Pailet)
American Museum of Photography
California Museum of Photography, Riverside
International Center of Photography
Ansel Adams
Jonathan Fish
Noah Grey
Greg Guirard
Paul F. R. Hamilton
Clarence John Laughlin
Herman Leonard
Howard Roffman
J. T. Seaton
Jerry Uelsmann
Gareth Watkins
Brett Weston
The Mirror Project
(My pics therein: 1, 2, 3, 4, 5, 6, 7.)
My photographs at Flickr
Comix: The Amazing Adventures of Bill,
by Bill Roundy
Bloom County / Outland / Opus,
by Berkeley Breathed
Bob the Angry Flower,
by Stephen Notley
The Boondocks,
by Aaron McGruder
Calvin and Hobbes,
by Bill Watterson
Doonesbury,
by Garry B. Trudeau
Electric Sheep Comix
by Patrick Farley
Get Your War On
by David Rees
Goats
by Jonathan Rosenberg
L. A. Cucaracha
by Lalo Alcaraz
Leviathan,
by Peter Blegvad
Lil' Abner,
by Al Capp
Lulu Eightball,
by Emily Flake
The Mostly Unfabulous Social Life of Ethan Green,
by Eric Orner
Pogo,
by Walt Kelly
Suspect Device,
by Greg Peters
Ted Rall,
by Ted Rall
This Modern World,
by Tom Tomorrow
XQUZYPHYR & Overboard,
by August J. Pollak
Must-reads: Polly Ticks:
AlterNet.org (Progressive politics & news)
Daily Kos (My favorite political weblog)
Eschaton (The Mighty Atrios)
Hullaballoo (The Mighty Digby)
Media Matters for America (Debunking right-wing media lies)
Orcinus (David Neiwert)
PostSecret (Secrets sent in via postcards; astonishingly beautiful, funny and sad.)
Talking Points Memo (Josh Marshall)
TAPPED (The American Prospect Online)
Think Progress
TruthOut (William Rivers Pitt & Co.)Miscellany::
Borowitz Report (Political satire)
The Complete Bushisms (quotationable!)
The Fray (Your stories)
Landover Baptist (Better Christians than YOU!)
Maledicta (The International Journal of Verbal Aggression)
The Morning Fix from SF Gate (Opinions, extreme irreverence)
The New York Review of Science Fiction
The Onion (Scarily funny news/satire)
"Rush, Newspeak and Fascism: An exegesis", by David Neiwert. (Read this.)
Whitehouse.org (Not the actual White House, but it should be)
Weblogs I read: Alicublog
AmericaBlog
American Leftist
BoingBoing
The BradLands
Cardhouse
The Carpetbagger Report
Cheesedip
Crabwalk
Franklin Avenue
Ghost in the Machine
Hit or Miss
Jesus' General
kottke.org
Making Light
Neil Gaiman's Journal
Not Right About Anything
NowThis.com
Pandagon
August J. Pollak
Sadly, No!
telescreen.org
This Modern World
Your Right Hand Thief
L.A. BlogsFriends with pages: bill
chris
dule
ellen
jon
jordan
mary
mary & rick
mary katherine
michael p.
nancy
peter
robb
sean
steve
ted
The Final Frontier: Astronomy Pic of the Day
ISS Alpha News
NASA Human Spaceflight
Spaceflight Now
SF: Locus Magazine Online
SF Site
SFWA
Quotationable: "To announce that there must be no criticism of the president, or that we are to stand by the president right or wrong, is not only unpatriotic and servile, but is morally treasonable to the American public."
-- Theodore Roosevelt, 26th President of the United States (1901-1909), speaking in 1918"There ought to be limits to freedom."
-- George W. Bush, May 21, 1999"You don't get everything you want. A dictatorship would be a lot easier."
-- George W. Bush, describing what it's like to be governor of Texas, Governing Magazine, July 1998"If this were a dictatorship, it would be a heck of a lot easier, just so long as I'm the dictator."
-- George W. Bush, CNN.com, December 18, 2000"A dictatorship would be a heck of a lot easier, there's no question about it."
-- George W. Bush, Business Week, July 30, 2001
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Déanta: This page is coded by hand, with BBEdit 4.0.1 on an Apple iMac 24" and a G4 15" PowerBook running MacOS X 10.5 if I'm at home; occasionally with telnet and Pico on a FreeBSD Unix host running tcsh if I'm updating from work. (I never could get used to all those weblogging tools.)
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"Eating, drinking and carrying on..." -- Adelaide Brennan
Tuesday, August 19, 2008 An Olympic cocktail. Eric Felten has a fascinating article in the Wall Street Journal about the history of drinking and cocktails in the Olympics (I love that Frank Sinatra wanted to start an Olympic Drinking Team). There's even a yummy-looking cocktail recipe, which I'll post here; read it soon, as the article will go away in a few days.
Appropriately enough, there is an Olympic Cocktail that managed to find its way into old cocktail books. Equal parts brandy, orange curaçao and orange juice, sadly, it is an over-sweet monotone.
But there are others, including the drink devised by Nino Mastalioni, a hotel barman in Rome, who in 1960 tried to reflect in a glass the international character of the games. He combined one part each American rye whiskey, German kirsch, Russian vodka, London dry gin, along with Campari (to represent his native Italia). Nino was happy to customize his concoction -- replacing the whiskey with tequila for his Mexican guests, or aquavit for the vodka if a Dane stepped up to the bar. But any way you try it, Mastalioni's Elixir of Olympus is fiercely alcoholic and only marginally potable.
Far better is the Mount Olympus cocktail created by Wembley bartender Jock Nelson for London's 1948 games. Equal parts Greek brandy, Lillet blanc and orange curaçao, Nelson bragged the drink was "guaranteed to give anyone enough zip to run a four-minute mile." The original cocktail is too sweet and viscous for my taste, but with a little adjustment it's possible to find a gymnast's balance for the Mount Olympus. I boosted the proportion of brandy, replaced the generic curaçao with Grand Marnier and added a bit of fresh lime juice to keep the sweetness in check.
Mount Olympus
1-1/2 ounces Metaxa.
1/2 ounce Grand Marnier.
1/2 ounce Lillet blanc.
1/4 ounce fresh lime juice.
Shake with ice and strain into a stemmed cocktail glass. Garnish with orange peel.We had one last night. Very lovely.
If any of y'all have an Olympic cocktail of your own, or are inspired to create one, please post it in the comments!
Whiskies (and a Cognac) You've Never Tasted. The seminars continue at Tales of the Cocktail ... after thoroughly enjoying our first seminar with the renowned Paul Pacult, we decided to try another, the one of the above title. Actually it was just called "Whiskies You've Never Tasted" in the course description, but if you read the fine print they slipped a Cognac in there too. "Tasting will cover the differences in top-end bourbon, Irish, single malt and blended Scotch as a way of describing top quality in various expressions. Attendees will be among a select few to taste the rare, unparalleled whiskey expressions" of the spirits offered. Um ... sign me up.
Wes and I managed to score front-row seats, and were greeted by a pretty sight:
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Oh my. Let's go through what we tasted:
Martell Creation Grande Extra - A masterful blend of Cognacs 18 years or older. Gorgeous copper-mahogany color, with almonds, toasted nuts, butterscotch, vanilla and figs in the nose. On the palate, a glorious explosion of vanilla, with cinnamon and even that unburnt tobacco aroma I love so much (which turns to crap whwn it's set on fire). Aboslutely superb stuff, and at $300 per bottle I'm unlikely to be tasting such a thing anywhere else.
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That's about 3/4 ounce of the Martell Creation which, at retail price, would run you about nine bucks. This seminar more than paid for itself, between Paul's observations and the value of the amazing spirits we tasted.
Chivas Regal 25 Year Blended Scotch Whisky - The closest I'd ever come to tasting this was when a very generous cow-orker supervising our team on a slow day bought us a bottle of Chivas Regal Royal Salute, their 21-year-old blend. We sat around on a dead day in the sound studio and passed it around, and it was mighty fine. This stuff was better. It's been brought back on the market to pay tribute to the first 1909 import of a 25-year Chivas, and I'd say it was probably worth the wait. More stunning color -- deep amber and wildflower honey. You could smell the toasted grain, plus a lovely floral bouquet of Scottish heather. The taste was very dry, with elements of wood and leather, a hint of apple and a light, fresh finish. This is another $300 bottle of whisky, and another one I'm not likely to have at home either.
Midleton Very Rare, 2007 Release - This is a blended Irish whiskey that we've had before; we picked up a bottle of the 2003 release on our last trip to Ireland (they're numbered, and we got bottle 56!). I adore this stuff, and if possible the '07 blend is even better than the '03. Apple, pear, dried fruit and a bit of toffee in the nose, and on the palate ... fruit!! Apples, pears, peaches, plus wood, more toffee, and sheer elegance. Paul summed up everyone's feelings on this whiskey thusly: "If I could afford it, I'd bathe in it." This, along with the 25-year Chivas above, should be waved in the face of any Scotch snobs who turn their noses up at blended whiskey while claming that only single malts are worth spending money for. Master bledners like Colin Scott at Chivas and Barry Crockett at Midleton are geniuses and artists. It's incredibly difficult to create blends like these. Midleton ia also more affordable than the two examples above, running about $120-130 per bottle.
Jameson Rarest Vintage Reserve - Another Irish whiskey, from the house of John Jameson, formerly made in Dublin but now made at the Midleton distillery in Cork, as are most Irish whiskies these days. (There are only three working distilleries left in Ireland -- Midleton in Cork, Bushmills in Antrim and Cooley in Dundalk, Co. Louth. Cooley is the only independent, Irish-owned one too; Midleton is owned by Pernod Ricard, and Bushmills by Diageo.) I've been a fan of Jameson's standard release, but this one ... ooh. Rarest Vintage Reserve is a bland of the oldest and rarest of Jameson's stock, blended then re-aged in ruby port barrels. Beautiful legs in the glass, with Port, grapes, dried peach and jammy fruit in the nose. On the palate, dried fruit and fresh peaches, baking spices like cinnamon and nutmeg, and after sitting out for a bit, a little chocolate-covered toffee even! Alas, $250 a bottle, though.
Wild Turkey American Spirit - I'm a fan of regular Wild Turkey, both the Bourbon and the rye, so I was eager to try this stuff. It's a 15-year-old single barrel Bourbon, bottled at 100 proof. First whiff ... caramel! Not surprising, given the sweetness of Bourbon and the long aging, but this one is a caramel bomb in the best way. Also got whiffs of toast and wood as well. Very smooth on the palate despite the high alcohol content. Toffee and dark caramel. Pretty good, but for the same price I prefer the Black Maple Hill Bourbon.
Glenlivet Nàdurra - Finishing up our tasting with another Scotch, a non-chill filtered cask strength whisky (112 proof) that's been aged for 16 years in American Bourbon barrels and named with the Scots Gaelic word for "natural." It's a little harsh on the nose, given the high alcohol content, but it's recommended by the distiller to be had with water and not neat. A little bit of spring water later ... wow! An explosion of aroma -- fruit, flowers, spices, honey and oak. First taste ... the same, only more so, with a long, peppery, toasty, nutty finish. Nice nice! And at only about $65-70 a bottle, it won't put you in the poor house.
All that for a $40 seminar ticket. Not bad. And no, I didn't spit any of it out, but I prepared myself for this that day, and wasn't planning to have Jeff Berry and Wayne Curtis kill me with kindness and volumes of rum later in the evening either. I was just following the lead of our teacher, who said, "I ain't spittin' any of this stuff out today!"
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Cocktail garnishes gone mad. I'm all for bringing up the cocktail experience to its best heights, primarily by having it taste wonderful and be served in an enjoyable setting. However, one bar in Sydney seems to have gone not so much over the top but off the edge of the flat Earth:
All I did, as usual, was order a drink. Which only partly explains why I found myself here, seated in a cordoned-off side room at Zeta, a plush, dusky, high-ceiling downtown night spot -- holding a booze-filled pineapple and wearing a blindfold along with headphones hooked to a specially programmed iPod.
All the while, someone was spraying my face with what smelled like Hawaiian Tropic suntan oil.
Ladies and gentlemen, meet the world's most elaborate cocktail garnish. The Tiki, the drink I ordered, is one of four sensory cocktails to make their debut this month at Zeta. They join au courant classics like a Ping Pong and Clover Club on the deliciously freewheeling cocktail menu, which also features a martini served on a bed of smoldering tea leaves and a bourbon-and-Coke "ice cream cone" forged in liquid nitrogen.
The sensory cocktails work like this: order the daiquiri, and you're tucked into a semiprivate spot where you sip your drink blindfolded while listening to 18 minutes of Cuban music on an iPod. All the while, a waitress spritzes you with a cigar mist made by simmering crumbled cigars in water and simple syrup.
The idea, said Grant Collins, Zeta's consulting mixologist, is "to heighten the link between the drink and the experience. Listening to the music makes your mind drift, and the blindfold heightens your sense of smell." And the smoky mist? It's a sensory trick to make you think you're in Havana. Blind and piercingly alone, but still, you know, in Havana.All right, I call bullshit on this. This consulting mixologist has apparently forgotten that drinking is supposed to be a social experience, not something to be done while blindfolded and wearing headphones. What this bar is doing is undoubtedly charging a premium price -- paying a waitress to stand there for 20 minutes spraying someone in the face with cigar-infused sugar syrup and suntan oil -- for what's essentially a dolled-up Piña Colada plus lots of wankery. Sheesh.
[ Link to today's entries ]
Monday, August 18, 2008 Ní bheidh a leithéid arís ann. Ronnie Drew, Irish folk singer with a voice like whiskey and razor blades, and founding member of The Dubliners, passed away on Saturday from complications of throat cancer, at the age of 73.
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Ronnie was a tremendous figure in Irish music for nearly 50 years, and it's safe to say that Irish traditional and folk music as we know it today would be very different indeed, if it were around at all, without the influence of Ronnie, The Dubliners and the folk music resurgence they help launch in Dublin in the early 1960s. Although you may only be marginally familiar with him, or perhaps not at all, his passing is a huge loss for Ireland and Irish culture. From AJ O'Flaherty's blog in Ireland: "His loss is enormous. Thoughts and prayers go out to his family. It was like hearing a family member died. He epitomised wisdom, wit, joy for life, love and passion for music. The word legend is used a little loosely at times, but we truly have just lost a legend and he will be sorely missed." Here Joseph O'Connor remembers him in a lovely piece in the Irish Independent.
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Shane Macgowan of The Pogues said, "Everything we have done, the Dubliners have either done it or they could do it better!" Bono of U2 said, "Music to inspire, to console... an optimism that was contagious... that's what U2 took from The Dubliners. Ronnie has left his earthly tour for one of the heavens -- they need him up there, it's a little too quiet and pious. God is lonely for a voice louder than His own."
I won't write a long history here; do some Googling on The Dubliners, and head over to iTunes or your local independent record store and buy a best-of compilation. Oh, and if you're already familiar with them, here are the lyrics of one of The Dubs' biggest hits, "Seven Drunken Nights", including the two final nights Ronnie was never allowed to sing on radio or TV. And it's a folk song, for feck's sake!
Here's a very early performance, pre-Dubliners, when they were still called "The Ronnie Drew Group," doing "McAlpine's Fusiliers":
Here's a later performance of "Finnegan's Wake":
Just listen to this fantastic version of "Easy and Slow":
And raise "The Parting Glass."
Here's to you, Ronnie Drew.
Ar dheis Dé go raibh a anam.
When a bitter liqueur helps your palate mature ... That's amaro!
(Okay, that was bad. Sorry. Here's hoping I won't be assaulted by the ghost of Dean Martin.)
I'm usually not one to toot my own horn too much, but I think it's a credit to my stamina (and my liver) that my hangover on Friday morning, July 18, was not nearly as catastrophic as it could (or should) have been. Six Scotches, ten gins, four wee gin cocktails, nine brandies, three wee brandy cocktails, three wee cocktails, then five HUMU-HUMU-MONGOUS tropical cocktails at the Tiki dinner the night before; then as Wesly mentioned, after that I visited the Partida / Plymouth / St. Germain suite on the 9th floor, then my friend Eric Alperin of The Doheny handed me one more drink ... and that's when my brain shut down. The next day I marveled at Seamus' and Rick's excellent posts on the dinner, and especially wondered how Seamus was able to pull off such a great post right after the dinner. (I was more occupied with the daunting task of walking.)
So, to continue with the pokiest and longest-running Tales of the Cocktail recaps of any cocktail blogger out there ...
We slept through the media breakfast at Brennan's and managed to rouse our carcasses ("Quiet darling, your Auntie Mame is hung") to get to one of the most-anticipated seminars of my schedule: "Amore Amari: A Very Bitter History of Bitter Spirits in Apertif Service and Cocktails," presented by Averna, Campari and The Bitter Truth. Wesly and I have been mad for bitters for years, obsessively collecting as many varieties as we could (including our best score ever -- three pristine, full 18-ounce bottles of Abbott's Bitters), and over the past year or so have become amaro fanatics as well -- the bitterer the better.
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Eric Seed of Haus Alpenz led the panel and began by talking about the history of bitters in cocktails, and how up until the beginning of the 19th century bitters were truly strictly medicinal, and medical miracles were attributed to their regular use. Our favorite of the historical ads that they showed were for Hostetter's Stomach Bitters, the makers of which exhorted you to "Renew Vigor and Make Life Worth Living!" Hostetter's also helped you "renew your life-giving blood currents" and took care of your dyspepsia, malaria, indigestion, fever and ague, nervousness, kidney, bladder and bowel disease, neuralgia, rheumatism, menstrual cramps and hysteria. While I can't vouch for most of those claims, bitters then and now are great for indigestion and overindulgence, and many of us have but a few teaspoons of Angostura in soda water to settle our tummies.
Eric also reviewed several of the primary styles and components of bitter liqueurs. Wormwood-based bitters, in addition to absinthe, include relatively mild examples such as vermouth, which comes from wermut, the German word for wormwood, plus some massively and wonderfully bitter concoctions such as Gorki List from Serbia. (My good friend Dule, from Belgrade who now lives in Zurich, loves the stuff and always keeps a bottle on hand "to test the mettle of my guests." You'll be able to test your own mettle soon; Eric plans to bring Gorki List to the States later this year.)
Gentian-based bitters, which have an almost horseradish-like bitterroot flavor without the burn, include Suze from France and Averna from Sicily, and gentian is also an ingredient in most aromatic cocktail bitters such as Angostura. Cinchona bark, from which we get quinine, is the bitter agent in tonic water as well as in quinquinas, aperitif wines like Lillet, Dubonnet and bitters such as Amer Picon. Citrus bitters are sought for their flavor, aroma and sweetness as well as the bitter components. They make very popular amari (Campari, to name the most popular, and it's "younger brother" Aperol), as well as beloved cocktail bitters such as the wealth of orange bitters we're able to enjoy now from Fee's, Regans', The Bitter Truth, Hermes and the wonderful new Angostura Orange Bitters.
LeNell Smothers also spoke about her massive collection of bitters at her shop in Brooklyn (and I'm preparing a frighteningly large order for her), and Stephan Berg of the wonderful new bittersmakers The Bitter Truth came from Germany to speak of his products and also regale us with some wonderful history of Angostura and Abbott's Bitters.
We also had three terrific cocktails:
Les Voûtes
1-1/2 ounces Rittenhouse Rye 100 proof
1/2 ounce Martini & Rossi Rosso Vermouth
1/2 ounce yellow Chartreuse
1 splash Clear Creek kirschwasser
2 dashes The Bitter Truth Orange BItters
Stir over ice many times over, strain into chilled cocktail glass.
This is a lovely Manhattan variation, and shows what can be achieved with just a small amount of an aromatic herbal liqueur, changing the character of the drink completely. Yellow Chartreuse plays with other ingredients a bit more readily than the green, which has such a unique and assertive flavor that it tends to dominate if not carefully balanced. The kirsch gives it a bit of cherry flavor while keeping it dry, and the orange bitters tie everything together beautifully.
Negroni Transalpina
2 ounces Martini & Rossi Rosso Vermouth
1 ounce Plymouth Gin
1 ounce Campari
2 dashes The Bitter Truth Orange BItters
1 teaspoon apricot eau de vie
Shake first four ingredients with ice, strain into a cocktail glass and float the eau de vie.
This Negroni variation is heavier on the vermouth (we like the variation called the Cinnabar Negroni, which doubles the Campari), and a bit of dry apricot brandy (the lovely Marillien that Eric's Haus Alpenz imports) also adding fruit flavor without the potential of overly cloying sweetness from too much liqueur. This reminds me of a drier, more bitter Martinez.
La Cola Nostra
1-1/2 ounces Pampero Anniversario Rum
1 ounce Averna
1/4 ounce St. Elizabeth's Allspice Dram
1 ounce Bubbly Brut Cuvée
3/4 ounce fresh lime juice
1/2 ounce Fee Brothers Rock Candy Syrup
Shake and strain.
A Daiquiri variation, again demonstrating that a little liqueur can go a long way flavorwise. Here we have only 1/4 ounce of Eric's new product, St. Elizabeth's Allspice Dram, and it lends great character and spice to the drink. The Averna gives it a lovely bitter component, with the sparkling wine lightening it all up. Funny name too, but you do get a sense of kola nut flavor (itself a very bitter ingredient, if you've ever tasted one on its own) in this mixture of flavors with the most well-known Sicilian amaro.
As great as this all was, perhaps the best part was at the very end, when we were invited to come up if we were interested in tasting some of the myriad stash of bitters they'd brought, including ... vintage 19th century Boker's Bitters, the bitters used to make the first Manhattan cocktail. (If we're interested? Ya think?) Stephan placed one precious drop on my hand and I tasted ... and wow. Wow wow wow. Amazing body and spice and depth of flavor, baking spices like cinnamon and clove and ginger and all kinds of strange and wonderful things and YUM. It reminded me of Abbott's, but without the elements you get from the barrel aging in the latter. It still tasted terrific, and I wish Stephan had had enough to make us all Rittenhouse Manhattans with it. We got more tastes from LeNell and Eric, and as Jay Hepburn put it, "I have the wonderful aroma of 10 different bitters on my hands."
I'd be happy to smell like that (and taste all those wonderful tastes) every day!
Johnny's Po-Boys. Food Porn of the Day, from one of my favorite Quarter poor boy joints, on St. Louis just up from Decatur. It's a perfect little joint, with po-boys and plate lunch specials and an only-in-New-Orleans atmosphere that I love. We squeezed in lunch between the Amaro seminar and the upcoming Liqueurs seminar, and wolfed down two excellent poor boys:
Fried Catfish
Creole Hot SausageBeing carless, I figured we might not make it to Gene's this time, and I was still perfectly happy with the hot sausage at Johnny's. You almost can't go wrong there. Their slogan is "Even our failures are edible," and I've only ever had one failure there -- a crab cake poor boy whose cakes were not crabby enough, too bready and mushy -- and although I didn't care for it, it was indeed edible. Every single other sandwich I've had there in my life was spot-on great, though, so that's still a pretty unbeatable batting average.
How to eat like Michael Phelps. Jon Henley, a writer for the UK Guardian, after hearing that Olympic swimming champion Michael Phelps consumes 12,000 calories a day to fuel his body (described by a Bristol University nutritionist as "6ft 4in and 192lb of pure joy") and his incredible athletic feats, decided to have a look at what 12,000 calories actually entails ... and tries to eat it. Video, hilarity and misery ensues.
[ Link to today's entries ]
Wednesday, August 13, 2008 Mixology Monday XXX: Local Flavors, Grand Recap. The roundup is in! Kevin at Save the Drinkers posted his smashing compendium of all the Mixology Monday "Local Flavors" drink submissions, which includes forty-nine cocktails, several syrup and shrub recipes, plus a glass of tap water. (Well, that's certainly local.)
Bravo Kevin, and all the MxMo participants. Damn, I'm gonna have to goof off for two days to get all this read ...
The British Invasion, with Charlotte Voisey. Colin and Brian at Small Screen Network have been busy -- four videos went up today, all featuring mixologist extraordinaire Charlotte Voisey, who's also the brand ambassador for the lovely Hendrick's Gin:
Episode One: In this very special series, filmed during Tales of the Cocktail 2008, Charlotte Voisey, Hendrick's Gin Brand Champion, brings the classic American cocktail hour together with the very British afternoon tea. In this episode, Charlotte discusses the history of each traditional gathering.
Episode Two: In this episode, Charlotte discusses tea; how it is made and how it can play in cocktails.
Episode Three: In this episode, Charlotte mixes up the Quechuan Mojito using Bolivian Green Tea and Hendrick's Gin.
Episode Four: In this episode, Charlotte mixes up The Jamboozle using blackberry jam.
Stock up on Hendrick's!
The L.A. Home Tiki Bar Tour. Aw crap, I'm sorry I missed this ...
We've got a decent selection of tiki mugs and glasses, and can make a mean tropical cocktail, but we wouldn't measure up for a home tiki bar tour. That said ... boy, I sure do covet that ready-made bar from Tiki Farm.
[ Link to today's entries ]
Tuesday, August 12, 2008 The Tiki-licious Luau Spirited Dinner! One of the best and most-anticipated events during Tales of the Cocktail is the Spirited Dinners, which take place in about 20 restaurants around the city, on the same night, at the same time. The restaurant's chef will work out a special prix-fixe menu, and one or more renowned mixologists / bartenders / bar chefs / what have you will work with the chef to create cocktail pairings to go along with each dish. It tends to be an amazing burst of creativity both in the kitchen and behind the stick, and is invariably tons of fun.
We were thrilled with the Spirited Dinner at Commander's Palace we attended last year, with haute Creole cuisine by Chef Tory McPhail and cocktails by Dale DeGroff and Audrey Saunders (don't get much better than that, folks), but as happy as we were that night, we were also bummed and kicking ourselves in the head that we weren't also somewhere else. Not far from our Garden District paradise, on St. Charles Avenue, another spectacular meal was coming from the kitchen of Chef Chris DeBarr at The Delachaise, with cocktails by our friends Paul Clarke and Darcy O'Neil. The meal was themed as a tribute to Lafcadio Hearn, and as you'll see Chris kicks major butt when it comes to themed meals -- he is one of the most amazingly thoughtful and creative chefs around. (You can read about that meal in Chris' posts here and here, and Paul's account with more on the cocktails, here.)
This was one of those times where we wished for the power of bilocation, or one of sf author David Brin's "kiln people" from his novel of the same title, in which we could send a replica of ourselves to go do something we were unwilling or unable to do, then downloads its memories into our own heads. Alas, the technology has yet to catch up (that'll be great for Jazzfest conflicts too), so we resolved to take an extra close look at what Chef Chris would be doing Spirited Dinner-wise in 2008.
As it turned out, Chris was planning a Tiki-themed dinner along with the ever-stupendous Jeff "Beachbum" Berry, world's foremost authority on tiki and tropical cocktails, and Wayne Curtis, author of And A Bottle of Rum: A History of the New World in Ten Cocktails, one of my favorite books last year. (Jeff's latest, Sippin' Safari, was one of my other favorites.) This was a triple-threat combination that was not to be missed, and although the Commander's dinner looked pretty good, it was pretty much a foregone concluson that we'd finally make it to the Delachaise for a Spirited Dinner this year.
There were a series of complications, though. First off, just a couple of weeks before the dinner, Chris left his position at The Delachaise. (Eek.) This turned out to be a blessing in disguise, for the dinner at least, although not so much for Chris' gig and income at the moment -- the dinner was moved to a place in the Bywater called The Country Club. It was perfect; the kitchen is run by Chef Miles Prescott, a friend of Chris' who had been his sous chef at The Delachaise, and the whole place is friendly and spacious with just the atmosphere we needed for the dinner's theme.
The next complication was not so perfect. You may recall from the Tales recapping I've been doing that Thursday, July 17, was a pretty big day in which not everything went as it should have; to wit, I did not avail myself of the use of the spit bucket at all the spirits tasting seminars we attended that day. Let's recap the running tally, shall we? 10:30am to noon with Paul Pacult, and six Macallan single malt Scotches. 12:30 to 2pm, Juniperlooza! with tastes of 9 gins, one sloe gin, and four small 2-ounce cocktails utilizing various gins. 2:30 to 4pm, tasting 10 French and Spanish brandies, plus three 2-ounce cocktails. 5 to 7pm, the Cocktail Hour event, featuring about 30 mixologists dishing out 2-ounce or so tastes of their concoctions. I remember getting one from Wondrich and probably two more. THEN we headed out for the Tiki dinner, where five utterly fantastic (yet LARGE) tropical cocktails were served.
The dinner was absolutely spectacular, as you'll see in the following paragraphs. It was, actually, one of the most spectacular meals I've had in years, if not ever. I enjoyed every bit of it and had an immensely fun evening -- that much I know. It's just that ... well ... the details ended up being a bit hazy the next day, much to my near-infinite regret.
So kittycats, we have a guest food pornographer today to help fill in the details. Wes is now going to make his Looka! debut, and as you'll see he does a fantastic job recounting our stunning meal and the amazing drinks that went along with it. Jeff Berry was kind enough to offer to share the recipes with anyone who was there or at his seminars later on, and I thank him from the bottom of my liver for that. Chef Chris also wrote a wonderful, amazingly detailed post about his concepts for and execution of the meal which you simply must read in its entirety, especially if you were there (and from which I will quote a few passages amidst Wes' reminiscences). Starting below, the voice will be Wesly's, with my photographs and addenda added by yours truly appearing in [bracketed italics]. And now we switch you live and direct to The Country Club at 634 Louisa Street ... take it away, Wes!
# # # First off, you must not mock me if I am ever so slightly less fantastic a food pornographer than is Chuck. He is, after all, the expert. I am only the poor, barely adequate, yet sober substitute. As you shall see, therein lies my virtue.
Our group arrived at The Country Club on Louisa Street on time -- not bad for a bunch of drunks, although in fairness it was but a short cab ride from the Monteleone Hotel. It was just dusk, and against the slowly darkening sky the front windows of the club shone in bright welcome. The cool air inside washed over us as we opened the front door -- there may be no more delicious sensation than that of air conditioning escaping past you into a Southern summer evening. A few steps more and we were in Havana.
Wayne Curtis and The Bum, a-mixin'Is there any sound finer than the incendiary clatter of ice in a cocktail shaker, or the delicate clink of ice as it falls into a glass? I think not. Our tireless bartenders Jeff "Beachbum" Berry and Wayne Curtis were already hard at work behind the bar when we walked in. A good thing, too, as their job for the evening entailed preparation of five different, elaborate tropical cocktails for a discerning crowd of 60. That's a lot of mixing, a lot of high standards, and a lot of liquor. Yo ho ho indeed.
Southern hospitality may seem a cliché to some, but in truth it's a long-standing tradition with its heart unarguably in the right place. Perhaps the first act of hospitality is that of welcome, and to my mind you'll find little more welcoming than a cocktail upon arrival. If that cocktail happens to be named after a childhood icon of grace, beauty and style, so much the better.
Welcoming Cocktail:
THE GINGER GRANT
(by Jeff "Beachbum" Berry)3/4 ounce fresh lime juice
3/4 ounce orange juice
3/4 ounce honey mix **
1/2 ounce Domaine de Canton ginger liqueur
2 ounces 10-Cane rum
2 to 3 dashes Bittermen's Elemakule Tiki Bitters
A small purple orchid flower.
Shake with ice cubes. Strain into cocktail glass. Garnish with the orchid flower.** HONEY MIX. Equal parts honey and water, heated till honey dissolves. Bottle and store in fridge.
This was a lovely concoction, light yet flavorful, playful as a tropical drink should be, beautifully balanced between sweet, tart and the velvet bite of ginger (not at all unlike the relationship between Mary Ann, Lovey and Ginger herself). It was a perfect "starter" cocktail, offering the promise of earthly delights to come yet graciously leaving the imbiber sober enough to enjoy them. First Note to Self of the evening: Stock up on Tiki Bitters as soon as Bittermen's releases them (and all their other fantastic forthcoming products as well). [Here's Seamus' photo of the drink, about 2/3 consumed already, but you'll get an idea of what it looks like and how pretty it is with that orchid garnish.]
And if the cocktail is served by a local icon of grace, beauty and style --
i.e., by Jeanne Vidrine, the Tiki Queen of New Orleans -- so much the better.
First Courses: SWANKY CANAPES
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"A trio of variations on the theme of Poke & Sashimi"
Tiki ceviche, The Green Hornet, and Lafcadio's Sushi.What better way to kick off a tropical meal than with fresh fish? I love sushi and sashimi anyway, and although it may have been dichotomous to add ceviche to the mix, it was a brilliant choice by Chef Chris and the result was harmony on the plate. Gorgeous fish, immaculately prepared, elegantly presented, and apparently simple -- but this was a deception of the best kind; read Chris' preparation notes for a peek into the secret life of a chef who suffers from the dread curse of Inspiration. All three bite-sized pieces of heaven were completely delicious, but for me the Tiki ceviche was the stand-out, a surprising bloom of tropical fruit, sweet and tart together again. Simply beautiful. The smooth cucumber granita made for a perfect palate cleanser before moving on, and the little burst of Serrano chile heat playfully admonished us to keep our wits about us. Some of us managed to do so.
Chris: "The fish for the Green Hornet was Spanish mackerel, marinated in Miles's ponzu. We didn't have yuzu juice, which is hatefully expensive anyway, but oj worked fine. The chile peppers in the icy cucumber granita were serrano chiles, which is why that carried some good heat. We used fresh lychee, papaya, and peaches with the cloudy sake and rambutan puree for the Tiki Ceviche, along with coconut vinegar, lime juice, ginger and garlic."
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"Spice Islands Surf & Turf"
Jumbo Louisiana shrimp in tamarind sauce on rice cracker
Java beef satay, marinated in many flavors, including tamarind
Crab & Corn Johnnycake, with avocado, romesco sauce & wasabi caviar.Next was another plate of small tastes. If you've ever visited New Orleans, chances are you've had jumbo Louisiana shrimp, but never like this. The tamarind sauce was bright and sharp, and the pink Vietnamese rice cracker not only added a splash of color to the plate and made for great textural contrast with the shrimp. It also reminded me of some of our favorite banh mi places in Los Angeles, where you can buy snacks like shrimp-flavored rice chips in a bag. The beef satay resembled a dear and familiar friend, but the sauce turned out to be vastly different from the usual (and half-expected, shame on me) peanut sauce. Instead it was sweet, tart, a bit fiery -- and perfectly delightful. The johnnycake was a variation on a dish of Chris' that we had enjoyed previously. The hearty, crusty cake with rich crab and sweet corn was intact as I remembered it, but brought to different life with smooth avocado and romesco sauce and the double pop of wasabi-flavored flying fish roe. Holy crap! I couldn't help but laugh aloud.
Chris: "The lovely pastel shrimp crackers used for the tamarind shrimp are a lovely Vietnamese product, Banh Phong Tom Mau, that I first encountered many years ago in a wonderful Jellyfish salad in a Doraville, GA restaurant. They take about 20 seconds in a deep fryer, as they expand from little coins smaller than a quarter to puffy crunchy wavy bites of wonderment."
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First Course Cocktail:
TONGA ZOMBIE
(Adapted from the Tonga Room, San Francisco, 1950s)1 ounce fresh lime juice
1 ounce passion fruit purée mix ***
1/2 ounce unsweetened pineapple juice
1 ounce Cruzan Estate Light rum
1/2 ounce 151-proof Bacardi rum
1/2 ounce Old New Orleans 3-year dark rum
Shake vigorously with crushed ice. Pour unstrained into a tall glass.GARNISH: Red and green cocktail cherries speared to pineapple wedge by skull & bones flag pick.
*** PASSION FRUIT MIX. 2 parts Funkin passion fruit purée to 1 part sugar syrup.
This dangerously smooth and stealthy combination of a trio of fruit juices and a trinity of rums moves slowly, like a zombie (think George Romero, not "28 Days Later"), but it advances implacably and will knock you to the ground if you don't keep two steps ahead. That Funkin passion fruit purée is great, wonderful stuff. Second Note to Self: Don't forget the Funkin passion fruit! (Sorry, it's just fun to say.) You will notice from the picture that this is not an insubstantial pour, no mere token, far more than just a taste. That's worth keeping in mind. And the fruit flag garnish incorporates an actual (albeit tiny and paper) pirate flag, which of course instigated a round of exclamations of "Yarrr!" and "Avast!" and "Shiver me timbers, thou lusty wench!" What else would you expect from a bunch of drunks? [Stock up on wee pirate flags, and on the ingredients for this drink, as International Talk Like A Pirate Day approaches.]
Now, for the second round ...
Second Courses: BONGO APPETIZERS
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"Wahine Shrimp"
Louisiana shrimp roasted in a "grass skirt" of shredded phyllo,
lemony N.O. barbecue sauce, and grilled pineapple.I had been looking forward to the "Wahine Shrimp" ever since I had first read its description on the Spirited Dinners menu announcement. This is quite simply a fabulous dish, one of the best tastes I've ever had in my mouth, and one I would very much like to have in my mouth again. I think it was also the most whimsical and visually delightful of the evening's many offerings, and that's a tough contest indeed. "Barbecue shrimp" is of course a classic New Orleans dish, and although very different this is a loving nod to that classic. But if the idea of a shrimp wearing a grass skirt doesn't make you think of smiling dusky maidens dancing slowly on sunset beaches, then you may need a vacation. Badly. Another fantastic set of flavor and texture contrasts, and just fun to eat.
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Phnom Penh Pork Belly
Kurobuta pork braised in star anise caramel,
with "Forbidden" sticky black rice and bamboo shoots.If you want to kick my salivary glands immediately into overdrive, the words "pork belly" are all you need. This dish, the Phnom Penh Pork Belly, looks pretty substantial, but this is the serving for our table of four diners. Clearly this cuts down on plating and clean-up time, but perhaps more importantly it's a great way to encourage friendly sharing. Although any one of us could easily have consumed this solo, it's probably for the best that it was a shared dish -- it was rich, unbelievably so, and falling apart at a touch, with buttery meat and velvety fat in almost equal measure. The savory braise of star anise and caramel was delicious, fascinating, and wholly new to me -- clearly I need to get out and try more Cambodian cooking. Positively sinful and decadent. [Out of all these phenomenal dishes it'd be hard to pick one, but this one was just out of this world. I want to have it all the time.]
Chris: "The Phnom Penh Pork Belly is a fantastic recipe, swapped around a little, from the excellent Cambodian cookbook, The Elephant Walk, based on the recipes from the successful Cambridge, Mass. restaurant. I love Cambodian cuisine, although I've only had it in one place, in San Francisco. Everything I try from the cookbook, or read about in people's travels, or that I had in SF has been stellar. The idea of cooking meats in savory caramel sauce, which is the basis of this pork belly, is an old idea. I don't know if the French learned it in their travels to Indochina, or if they developed their sugary/savory concepts in Santo Domingue (Haiti), or whether the Cambodians had this concept in their arsenal long ago using palm sugar, or got it from Imperial Chinese chefs, but it's a great method. I think the pork belly was probably mentioned by more people as their favorite dish of the whole evening. It really is an exotic Khmer classic featuring star anise, fish sauce, and mushroom soy sauce as principal elements to underline the greatness of Berkshire/Kurobuta pork belly. I thought the grapefruit punch worked really well with the pork belly and the Wahine Shrimp because both dishes needed something to cut their richness, while the grapefruit's bitterness worked in tandem with the charrred endive and umeboshi vinaigrette in the Outrigger Canoes."
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Black Bean & Banana Blossom Pupusa
with Hoja Santo queso, Salvadorean slow and salsa verdeMmm, pupusa. We love pupusas, and we love the big plastic jug of slaw that's served with them at our favorite local Salvadoran restaurant, Las Cazuelas. With this meatless pupusa, Chris provided a perfect counterpoint to the other dishes in this selection. It was perfectly grilled, crispy on the outside but soft inside, and the filling of black bean and banana blossom was silky and piping hot. The slaw was authentically Salvadoran, cool and crisp and tart.
Grilled red endive "Outrigger Canoe"
with jackfruit, jumbo lump crabmeat and umeboshi vinaigrette.Unfortunately there's no picture of the next food item, which is a shame as it was highly photogenic. I suspect there's a good reason for this, which we may delve into later on. In any case, the "Outrigger Canoe" was constructed of grilled red endive and filled with a blend of jumbo lump crabmeat and young jackfruit. As I recall, Chris mentioned that he had previously done this dish using mango rather than jackfruit. Soft, ripe mango would have been lovely, but I think the brightness of the jackfruit worked extremely well against the mellow, full-mouth richness of the crab. The slight bitterness of the endive was nicely mellowed by the grilling, so rather than standing out in stark contrast it worked to bring the other flavors together.
Second Course Cocktail:
PAMPLEMOUSSE PUNCH
(by Wayne Curtis)2 ounces white grapefruit juice
1 ounce Old New Orleans spiced rum
1 ounce Clément Créole Shrubb
1 dash Angostura Bitters
6 drops (1/8 teas